Paul Celan was one of the most
influential poets who took a chance writing about the holocaust.
Although many critics were very negative about such a topic, Celan
wrote very moving poetry centering around death and dying. In
“Shibboleth,” he writes about the movement of the chosen people
in the afterlife. The “twin reddenings / in Vienna and Madrid”
represent two extremely influential and violent events in which there
was much death (“Shibboleth” 12-13). He goes on to emphasize this
with the next verse, which begins with “Set your flag at half
mast,” symbolizing the death at these events (14). The emphasis of
death during political struggles is one that resonates well with his
holocaust experiences as well, as Celan survived but saw both parents
killed in Nazi prison camps. He had first hand experience with the
impact that so much death and destruction can have on a person, their
livelihood, and even their culture. In the situations at both Vienna
and Madrid, the devastation was intense enough to reshape their
cultures just as the Jewish culture was reshaped by the Nazis.
Possibly the most famous work by Celan
is “Deathfugue,” which offers a comparison between a Jewish woman
and a German woman at a prison camp during World War II. In this
poem, the Jewish girl, Shulamith, is repeatedly reminded of the death
around her. In the first verse, the Jews have been told to “shovel
a grave in the ground” (“Deathfugue” 8). In the next verse, her
hair is described as “ashen,” which symbolizes the cremation of
the Jewish prisoners after they were killed (14). The comparison
between the golden hair of the German girl and the ashen hair of
Shulamith is repeated throughout the poem, emphasizing the eventual
death of the Jewish people by the hands of the Germans. The passion
within this work and the emotion Celan is able to express regarding
the death around them is palatable. Paul Celan committed suicide
after bouts of paranoia related to anti-Semitism. Reading the
emotions he expressed after his experiences with the prison camps, it
is easy to see how much of an impact the experiences of his youth and
the death of so many around him had on both his work and his life.
Works
Cited
Celan,
Paul. "Deathfugue." The
Norton Anthology of World Literature.
Ed. Martin Puchner. Shorter 3rd ed. Vol. 2. New York: Norton, 2013.
1469-70. Print.
-
- -. "Shibboleth." The
Norton Anthology of World Literature.
Ed. Martin Puchner. Shorter 3rd ed. Vol. 2. New York: Norton, 2013.
1471-72. Print.
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